現(xiàn)代社會(huì)的多樣化特征使現(xiàn)代首飾設(shè)計(jì)有了更多的設(shè)計(jì)語言，材料運(yùn)用和制作手法。所以我的作品多以各種材料創(chuàng)作并結(jié)合人這一媒介來展現(xiàn)我的思維情感和內(nèi)在思考的藝術(shù)裝置的形式存在。

《送給外婆的禮物》這系列作品結(jié)合人與首飾之間的互動(dòng)。敲碎破爛的石膏墻得到藏在里面的琺瑯花窗，燃燒破損的蠟墻讓臘液形成帶有花窗的新墻。這兩件作品的形態(tài)轉(zhuǎn)換就像破繭重生一樣，是我對外婆的祝愿，希望她在天國能有一個(gè)屬于自己的美好的生活。

《自然和自由的生命》是在我想象中的故事去創(chuàng)作的。雖然是我想象中的世界，但其實(shí)有很多現(xiàn)在的社會(huì)的影子。這件作品通過兩種極端階級的對比來展現(xiàn)富人階級至高的地位而窮人只能被控制被奴役。

The diversified characteristics of modern society enable modern jewellery design to incorporate a wider range of design languages, materials, and production techniques." As a result, , most of my works take the form of art installations created with various materials integrating human interaction to express my thoughts, emotions, and inner reflections.

The artwork “Gift for Grandma “emphasizes the interaction between people and jewellery."The broken plaster walls were smashed to reveal the enamel window hidden inside, while the broken wax walls were burned to allow the wax liquid to form a new wall with the window. The transformation of these two works is like breaking the cocoon and reborn, symbolizing my wish for my grandmother to experience a new and beautiful life in the kingdom of heaven.

“Nature and free life “are created in my imaginary story. Although it is my imagination of the world. In fact, there are many shadows of today's society. This work highlights the privileged status of the wealthy class through the stark contrast between two extreme socioeconomic groups, depicting how the impoverished are often marginalized and oppressed.