我長(zhǎng)期關(guān)注親密關(guān)系方面的話題，并將身體作為一個(gè)重要的關(guān)注點(diǎn)。因?yàn)槲艺J(rèn)為身體是一切情感和互動(dòng)的基礎(chǔ)，所以使首飾和行為相結(jié)合可以更深入地發(fā)展我的課題。

作品《黑》基于我對(duì)自己的探索，是《親密關(guān)系》系列的作品之一。在這一件作品中我聚焦在童年創(chuàng)傷與治愈方面，并以此創(chuàng)作了一個(gè)關(guān)于成長(zhǎng)與自我和解的敘事性首飾。《吃掉它》的概念來(lái)源于大眾對(duì)戀愛(ài)關(guān)系中性與情欲的討論，通過(guò)作品我期望將公開(kāi)討論正當(dāng)化和去色情化。

新冠疫情以來(lái)，我觀察到人們對(duì)當(dāng)下及未來(lái)的不安和焦慮，并以此制作了《定》系列希望作品能帶給配戴者帶來(lái)治愈。通過(guò)融入瑜伽、冥想和心錨的概念，我希望佩戴過(guò)程能引導(dǎo)佩戴者進(jìn)入“靜”的狀態(tài)，并通過(guò)“石頭的重量”將佩戴者的注意力放在身體感受上，以進(jìn)入冥想狀態(tài)，達(dá)成自然和精神世界的溝通。

I have long been interested in intimate relationship while putting my attention on the body. Because I believe the body is the base of all emotion and interaction, so connecting the jewellery and action can develop my work deeply.

“BLACK” is based on my exploration of myself which is one of the series of “Intimate Relationship”. In this jewellery, I focus on my childhood trauma and how to cure it. Therefore I made a narrative jewellery about growth and self-reconciliation. “EAT IT” was inspired by an awkward discussion of sex and erotic in a romantic relationship. Through my jewellery, I expect to normalise and de-sexualize the public discussion of it.

Since the COVID-19 pandemic, I have observed people's unease and anxiety about the present and the future and made the series of “STAND IN THE RUNNING WATER” based on that, with healing properties. By incorporating the concepts of yoga, meditation and anchor, I hope that the wearing process can guide the wearer into a state of "peacefulness", and through the "Weight of the Stone", the wearer's attention will be focused on the physical feelings, so as to enter into a meditative state and achieve the communication between the natural and spiritual world.